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Babel, Shklovsky, Aseev came here without invitations, without pay, like it was their job, they did everything, they helped to make the inscriptions, shared their ideas, criticized fiercely.It was our house there, on Zhitnaya, its names changed every two years, and we called it simply "Zhitnaya," and many years after that we recalled this unique taste of the beginning, the youth of the art. So was the art of cinema to which we were wholly devoted, and we didn't bother about time. Our little screening room was divided into two by a chintz curtain.We came to the small laboratory, a film developer put the frame with a wet film out of the water, and he was as worried as we were.Everything was hand-made, maybe that's why I still feel the warmth of these hands when I watch old films.
The works began in the spring, were carried out at a heightened pace, and in June 1912 everything was ready", recalled Khanzhonkov the beginning of his work.In the first decades of the twentieth century, there were already several film studios in Russia.The most well-known among them were the studios of Alexander Khanzhonkov and Joseph Ermoliev.It was his studio on Zhitnaya street, which eventually became the basis of Mosfilm.After the Revolution, the Soviet government quickly understood how valuable the cinema was as a powerful propaganda tool, and in 1919 by a special decree it nationalized all the existing film studios.